Thursday, December 17, 2009

Anthrax: Among The Living 2009

Anthrax - 1987
Joe Belladonna – Vocals
Charlie Benante – Drums
Scott Ian – Rhythm Guitars
Frank Bello – Bass
Dan Spitz – Lead Guitars

Depending on my mood I look back at the third Anthrax album, ‘Among The Living’ in a number of different ways. Most days I simply see it as the essential Anthrax release, an all killer-no filler aural assault where everything clicked, I mean everything. From the iconic cover to the vibe that permeates throughout the entire disc to the lyrics and especially the music, ‘ATL’ and the success that followed remains one of those once-in-a-lifetime albums. It was the album where the band’s traditional Heavy Metal (Judas Priest/Iron Maiden) roots blended perfectly with their then modern day geographical influences (Agnostic Front/Murphy’s Law/Cro-Mags) and topped off with the pioneering bands of the day, the results speak for themselves.

When we look back at certain classic albums with some 20 years behind them, the point of view between the fans and the band members is always an interesting topic. Where the fans gush, drool and pontificate on what those innocent vinyl grooves did to not only them, but to their inner core, band members often reflect in a much different way. I’m sure to the members of Anthrax; ‘Among The Living’ was just the next collection of song they had ready to commit to wax. However when I look back on the band’s career, ‘Among The Living’ was the album the band HAD to make.

Their 1985 major label debut, ‘Spreading the Disease’ (Island) and the touring done in support of the record had laid the groundwork. The band’s vision of a heavier/more aggressive American version of a N.W.O.B.H.M. band had truly come to fruition with the addition of Vocalist Joe Belladonna. Their 11th hour choice of singers is what set them apart and ‘Spreading The Disease’ surely was proof. However, as good as ‘Spreading…’ was, it’s success and failure in relation to the material on the record is why it wasn’t the Worldwide cosmic connection its 1987 follow-up would reveal itself to be.

When it was released on March 22, 1987 ‘Among The Living’ stood alone. Metallica, Slayer and Megadeth had issued arguably their finest works a year earlier and to me, the absolute solidification of the term, ‘The Big 4’ was cemented the minute ‘ATL’ hit the store shelves. This is rather ironic because I feel the dissolution of the term was also linked to Anthrax with the September 1988 release of the terrible ‘State of Euphoria.’ But I digress, all the miscues and [IMO] filler material on ‘Spreading..’ had vanished and in its place was some of the leanest, meanest and most focused American Thrash Metal music this 16 year old kid had ever laid ears on.

Another huge reason Anthrax and ‘ATL’ were standing alone yet mightily tall in ‘87 was the band’s image. It took the “regular guys” Thrash Metal aesthetic to a more listener friendly level not typically seen in Heavy Metal. Their cartoonish image later took on a life of its own, but in 87 it was still viewed as another upward progression of success the band found themselves surrounded by, not yet the hindrance it would become a short year later.

Where Metallica and Megadeth lyrics were based in a more realistic violent nature and Slayer being both violent and satanic the New York quintet known as Anthrax came from a different place altogether. Lyrical topics about comic books, Native Americans, Stephen King novels and deceased Saturday Night Live alumni were not only an alternative to some of the more redundant Heavy Metal themes of the day, but they were very much hit or miss. At the time of their release (and to this very day) songs like “I Am The Law”, “Indians”, “A Skeleton In The Closet” and “N.F.L.” were very much hits.

And this is the exact reason we’re here today. ‘Among The Living’ was recently digitally re-mastered and re-issued in a deluxe format [CD/DVD] that truly celebrates what a phenomenal album this continues to be 22 years after it’s release. The re-mastering of seminal albums is either a horrible mistake [Megadeth’s 2004 campaign] or in ‘Among The Living’s’ case a much welcomed, much needed and much deserved listening smorgasbord. ‘ATL’ has always been a brutally heavy album, but a lot of the unique stuff the individual players pulled off was lost in the molasses of the mix. The low end frequency that ate up some of the Bass lines/fills as well as muddied and dulled the drum sound has been cleaned up significantly and it’s fucking fantastic.

This deluxe version is like the difference between cutting through flesh and bone with dull rusty saw and using a high powered and far more efficient laser. Both get the job done, but one’s just uh, better. So because of that I’ve decided to dissect one of my favorite recordings of all-time for your reading, listening and viewing pleasure.

Original Album:
Among The Living” – The perfect opener, 1:41 of intro with one of their heaviest yet catchiest riffs before Belladonna opens the album with a nod to the past before going for the throat in the present. The re-mastering impact is felt all over this track as the aforementioned main riff just jumps out of the speakers. A very memorable lead here as well as some sick double bass all over this song as Charlie Benante marks his territory early on. Simple message here, “Among the Living, follow me or die!”

Caught In A Mosh” – A set-list mainstay to this day, “Caught” is an up-tempo and effective Thrash number with some impressive bass lines and runs (and intro) by Frank Bello. Great riffs here, Scott Ian may have not written them, but they’re played tight as hell by one of the best riffers in Metal. Song gets some what anthem-like musically at 2:24 and makes great use of the open space from 3:11-3:50 before going back into the main riff. Lyrics are a bit on the goofy side now and the delivery of Belladonna isn’t exactly as smooth as I’m sure it was intended to be, but still a signature track nonetheless.

I Am The Law” – The first single from the album, the Judge Dredd inspired “I Am The Law” is a fucking Groove Metal masterpiece! The main riff still holds up today and the speed part from 3:31-4:42 is why so many people identified with this song as their first taste of ‘Among The Living’. Another set-list mainstay all these years later and another track improved by the re-mastering process. The drumming at the front of the song is just so driving and well, groovy and another highly memorable lead break from Dan Spitz. Back to the drumming, listen to the amazing cymbal work throughout the song, Benante just owns here. Danny Lilker gets credit for this song too.

Efilnikufesin (N.F.L.)” – The John Belushi inspired song warns about too much too soon and it’s a weird song where half of it has aged well and the other hasn’t. Mainly due to the choppiness of the chorus and the forced “efilnikufesin” business it still remains a bit so-so to me after all this time. When Joe Belladonna was not comfortable with something (like headbanging) be it a phrasing or entire verses there was no hiding it and in a weird way the cleaning up of this track makes that shine even more. The band sure got their monies worth with the whole “nikufesin” thing, but in 1987 it was another portal to their image and it worked. Still, looking back, as a Chicago kid and a fan of the Blues Brothers this was lyrically right up my alley and the music at 2:58-3:45? Fuhgetaboutit.

A Skeleton In The Closet” – One of the finest ‘Thrax songs, ever! Reminding me of the godly “Gung-Ho” off of ‘Spreading The Disease’, “…Skeleton” thrashes and bashes with the very best of ‘em and is a timeless example of musical and lyrical perfection. All the performances on this track are just incredible. However in my world it starts and stops with the drums and this track is a perfect example why Charlie Benante is up there with the greats of Rock/Metal drumming. So yeah, it’s all systems go on this barn burner based on the Stephen King story ‘Apt Pupil’ and how do you describe Thrash perfection? Just listen! ps: I bought the King book “Different Seasons” because of the band and of course this song.

Indians” – The first video from the album and no doubt a lot of people’s first exposure to Anthrax proper, “Indians” remains a love/hate track for me after all these years. I think I suffered from over exposure to the song, but like any over played/popular single track, when I listen to it in its natural habitat it doesn’t bother me all that much. Meaning if an entire album is played, the offending track can go on about its business without me having to silence it. “Indians” is one of those songs. Still, it’s an important part of the record and the sound here is much, much improved giving the song a bit of a jolt where needed. At 3:32 the “War Dance” part that segues into the lead break and then continues to the end of the song is easily the best two minutes of the song. The video, which showed the band in a live setting, was also very memorable and was a HUGE component in the success of ‘Among The Living.’

One World” – A “forgotten” gem on side 2 of the original album, “One World” is a multi-layered semi thrashterpiece! Super tight drumming and riffing with some eclectic bursts of speed carry this song through the at-times weird vocal patterns of Belladonna. Not so much that the actual patterns are weird, but the lyrics and what’s being crammed together keeps this song from joining “Skeleton” as one of the timeless/elite. However that being said, this is a far superior song than say “After-Shock” or “Lone Justice” off of ‘Spreading…’ Russians? I haven’t thought about them since Reagan.

A.D.I./Horror Of It All” – Of course reminiscent of the “S.S.C.” intro from ‘Spreading…’ the now even more elegant and lush twelve string “Arabian Douche Intro” gives way to a monstrous build up which carries the band well into over half the song. This track has everything but the riffs are just again, heavy and catchy and the updated sound just make them even more crushing. Lead break from 6:26-7:05 is probably one of my favorite solos on the entire disc, chaotic yet classic. The groove factor is also off the charts on this song, melodies and vocals are right on and this is another cut that helped solidify Anthrax in the annals of 80’s Thrash Metal.

Imitation of Life” – Starting with an unused S.O.D. riff [the original “Aren’t You Hungry?”, later to surface on M.O.D.’s ‘U.S.A. For M.O.D.’ LP] this song starts so damn promising as that intro riff is god. However once the song builds a bit it kinda flat lines for me when Belladonna bites off way more than he can chew with the fast parts. Where he’s supposed to sound sarcastic, he just sounds like a really uncomfortable guy with a microphone. At 2:40 the song goes for an uphill climb and it lasts for a while, the solo is good enough, then you get back to the weird jumbled vocals and ‘Among The Living’ closes on a high note (thankfully) with the intro riff now serving as an outro. Still it doesn’t shut down as strong as it could have, nitpicky yeah I agree, whatever.

Bonus Tracks: Nine times out of ten, the stuff they tack on to packages like these are usually pointless or nothing rare or special at all. With ‘Among The Living’ the vaults have been opened and while nothing here is of an urgent “must hear” nature, it’s not as bad as Geraldo’s Al Capone vault fiasco either. If you know ‘ATL’ like the back of your hand, these are admittedly cool enough.

Indians (alternate lead)” – Totally different lead which really changes the feel to the whole middle section of the song. It’s really kinda cool to hear anything different with a song that’s over 20 years old, especially one as “A” list as “Indians.”

One World (alternate take)” – Again, different, a few parts are extended some of the vocal patterns are different, same sentiment as above, interesting to hear for sure.

Imitation Of Live (alternate take)” – Weird intro, not sure if that was ever intended for release or if it was done more than one time? Same feelings on this alternate as the finished version, Belladonna when bad was really bad.

Bud E. Luv Bomb And Satan's Lounge Band” – “…Satan’s Lounge Band” was one of the B-sides to the “I Am The Law” 12” single. This is of minor interest to this guy here as I’ve heard it so many years earlier, but it’s at least chronologically correct and the geek in me likes that. The other track on the B-side? That was an obscure song no one’s ever heard before called “I’m The Man.”

I Am The Law (live in Dallas)” - If I’m not mistaken this was from a full concert Z-Rock broadcast on the air in late 1987, it also might be the same version as what’s on the ‘I’m The Man’ EP? Not sure. Yo, where’s the whole show?

I'm The Man (instrumental)” – For Karaoke I guess. The coolest thing? Without the vocals, the chorus of the song itself is fucking HEAVY! We’re talking ‘Speak English or Die’ heavy. I never really noticed with all the vocals on top of it but listen for yourself, wow.

DVD: The 1989 release [filmed in 1987] Home Video N.F.V. – Well, nothing’s ever perfect now is it? To a lot of people, myself included ‘Among The Living’ is the essential ‘Thrax album and ‘N.F.V.’ is the ultimate documentation of the band at their peak. Filmed over two sold nights at the Hammersmith Odeon in London, ‘N.F.V.’ is like watching a musical inferno and I had waited a long time for this to come out on DVD. Yes, I’d seen it on eBay and at a store or two, but I figured it was a bootleg (similar to my Iron Maiden ‘Live After Death’ with the Spanish subtitles!) however I really wonder now. You see, to be point blank, this DVD looks like shit! Grainy as fuck and the better your TV is, the shittier it looks and that’s a fucking shame. This is a major flaw but that’s because it’s a major “selling point” to this package and one that should’ve gotten a digital makeover, like the album itself, it’s deserving.

[The Big 4 'Among The Living']

Monday, December 14, 2009

The Big 1 + 3 !! 4 the 1st Time!

So it's Poland. Well, I can see a DVD of some sort and I can also see myself buying it. Lars, Blu Ray, dude.

Sunday, December 13, 2009

Chuck Schuldiner, December 13th, 2001

Just a quick remembrance of Chuck Schuldiner who passed away on this date [December 13] back in 2001.

Here's an interview with him from February 17th, 1995. I'm good with dates, but not that good. I remember this as it was my birthday and I was interviewing the man for our then, 8th issue, cool stuff, great memories.

Chuck was very cool, very laid back and even though it's a very early interview of mine, it's aged somewhat well.

This was press done in support of the 1995 Roadrunner Records US release, 'Symbolic'.

Speaking of press, the official site for Chuck's music has a great press archive of print and on-line articles and interviews from both Death and Control Denied.

[Click image to enlarge]

Friday, December 11, 2009

Saturday December 12th

Tomorrow Night!

If you can't make the show and want to contribute, a paypal account is set up for the benefit.
Go to and send $15 (ticket cost) or whatever funds that you can.

The Address is:

Wednesday, December 9, 2009

Old Metal Mag Moment with Pantera

Amazing! Thank you for all the emails! I guess the Pantera nation is alive and well and reading blogs! So a lot of you asked for an 'Old Metal Mag' moment with Pantera and of course I'll hook ya up.

Here's a in the studio report on the recording of 'Vulgar Display of Power' from the godly, but short lived UK mag Thrash 'N Burn. A good interview, amazing hindsight stuff when they were really satisfied with the 200,000 copies 'Cowboys from Hell' had sold at that time. As everyone knows the release of 'Vulgar' blew the doors wide open for the band and they didn't really come back down to Earth until after the cycle for 'The Great Southern Trendkill' was complete.

Again, thanks for all the emails and keep the requests coming in!

(Click image to enlarge)

Tuesday, December 8, 2009

December 8, 2009...5 years later

(Dime collage photo, The Clubhouse Dallas, TX.)

To: <>
Sent: Thursday, December 09, 2004 7:25 AM
Subject: RIP Darrell Abbott
(no message)

To: <>>
Sent: Thursday, December 09, 2004 8:25 AM

I'm just getting in the office...are you kidding??

To: <>
Sent: Thursday, December 09, 2004 8:29 AM
100% serious. He was shot on stage 5 times in Columbus, OH last night.

12.8.05 : So that’s how I found out. We’d just moved into our new house a few days earlier and I was on vacation from work. We had no TV or no internet and obviously the radio is useless but December 9th was my first day back to work. I opened up my email to find that above. My first thought was that of regret. There was a Damageplan/Shadows Fall show that just happened a few weeks earlier but I was way too busy getting ready to move. Honestly, even if I weren’t knee deep in boxes and packing I probably wouldn’t have gone to the show. I had heard the Damageplan record and don’t even think I made it through the whole thing once, that was until 12/8/04.

In fact I missed the big picture when it came to Pantera altogether. I remember reading about them in Metal Forces, I remember the horrible looking (independent/pre ATCO) album covers but nothing made me want to check them out. I can remember being in Phoenix back in 1991 and going into Tower Records with a friend, he bought ‘Cowboys From Hell’ and I bought ‘Blessed Are The Sick’. Listening to ‘CFH’, fuck, I thought it sucked! The vocals were horrible and the rest I cannot even remember because I couldn’t get past or take Philip “Geoff Tate” Anselmo serious.

Never saw the band live back in the day, in fact I didn’t see them live until 1994 and I still don’t own ‘CFH’… But back to the story…so after not liking what I heard I didn’t give them much thought. Something was obviously “there” though because I can clearly remember exactly where I was and what I was doing when I first heard ‘Vulgar Display of Power’, no take that back, when I first heard “A New Level” because after that song I didn’t want to hear the rest of the album, I needed to hear that riff again and again and again.

From that point on I was interested in hearing what the band would come up with and respected most of the people who played in the band. The albums and tours that followed always got better and better and of course there were the videos. The greatest Metal home videos, ever. Fucking period, case closed. So when the books closed on Pantera I was at least happy to have enjoyed the hell out of those shows, man, when they were “on” it was pretty awesome. In 2005 and one year on, it’s still very strange. It’s still weird that the feeling of loss will probably always be somewhere inside, surfacing hard in early December and (hopefully) subsiding a bit as the year closes out.

Hard to say exactly why it perhaps will never leave? Is it because of the person and the loss of a gifted spirit that touched millions whether you physically “met” him or not? Or because of the way it happened? Regardless it still seems so fresh and unbelievable but the one thing that’s for certain, Dime left his mark on the World and he will always be one of the greats. Thanks for the music. I promise my children will know and respect your contribution to the soundtrack to their father’s life…Metal.

12.08.09 - I don't have much more to add. R.I.P. to those lives lost at the Al Rosa Villa and to those who have a void in their hearts, hopefully time has eased some of your pain.

Wednesday, November 25, 2009

Happy Thanksgiving!

Happy Thanksgiving. Much to be thankful for and I hope this finds you all well.

The music world was shocked to read about Ronnie James Dio falling ill. It was gutted to hear RJD has stomach cancer.

Terrible. However we hope everything goes well with treatment and he's back on stage soon.

I'm re-"printing" an old interview with RJD from Midwest Metal Issue #22 from 2000. Ronnie was in New York on a promo tour for the 'Magica' album. This interview stands out as my Son was very sick the afternoon the interview was to take place. Because of that I totally lost track of time and I forgot to call him!

I got a call from Wendy to remind me about 25 minutes after the scheduled time. I let her know my mind was elsewhere and why and moments later I was on the horn with the man himself.

He began the interview by stressing concern over my Son's well being, asking a ton of questions and just being, well comforting in such an honest way. Very memorable. He's a great singer and an even greater man.

Get well soon Ronnie.
(Click to enlarge)

Thursday, November 19, 2009

Tuesday, November 17, 2009

Book Review: 'Anvil, The Story of Anvil' by Steve “Lips” Kudlow and Robb Reiner

Wow! The global Anvil assault continues as their ‘Anvil, The Story of AnvilDVD and This Is Thirteen’ album continue to fly off the shelves but (the paperback version of) the ace of spades of the Canadian trio has just hit the table!

Anvil, The Story of Anvil’ [VH1] is essentially the Anvil biography. Written by Lips and Robb Reiner and told from both in a first person narrative it’s the truth, the whole truth and nothing but the truth when it comes to Anvil. If you’ve seen the movie, and if you’re reading this blog I hope you have, but if you enjoyed it, lo and behold the book is actually better!

That’s the way it usually works and the Anvil story is no different. As good as the film is, and it is very, very good. I’ve watched it several times since the first time I saw it in the theater and it’s just one of those movies/stories that hasn’t gotten old. I mean the scenes that moved me back in April continue to do so in November and that say’s something.

So the power of this book is like watching an extended version of the movie. You get everything the film touched on but so much more. The book explores the essence of Anvil, the formative years, multiple members as Lips (the band) and the transformation into Anvil and all the dues these guys paid since they joined forces in the late 1970’s. You dig deeper into the family dynamics between the main characters and their parents and how each dealt with the pressures and expectations that come along with wanting to live as artists with a dream.

The relationship between the main characters, which is essentially what all this is about, is blown up and expanded upon and the depth at which these guys bond is just a beautiful thing. You also get to read the extended version of how the Sacha Gervasi tale is woven into a modern 30 year Heavy Metal Cinderella story. Everything I’ve read up to this point sort of glances over the Sacha/Anvil connection, simply associating the two as casual acquaintances who met in the mid 80’s and Gervasi becoming a roadie for the band who then reconnected some 20+ years later doesn’t even begin to describe the serendipity at play. Gervasi’s impact on the duo is yet another relationship that seemingly took 30 years to cement as legendary.

The business of Anvil was obviously a sore spot magnified by the documentary and in book form it’s stretched out over decades. Painful and rather depressing, so many times throughout the book you cringe when a decision is made or a partnership is formed knowing all too well the end result. The failed management deal between (then Aerosmith and Ted Nugent manager) David Krebs is something I think would’ve been beneficial to the movie as it was the brass ring the band had worked so hard for only to have it slip away.

True, it was partially their fault such a career advancing opportunity slipped through their fingers, but it’s a huge part of the Anvil story. There’s other incidents that when looked back upon it’s no wonder the guys dwelled in underground obscurity, a disastrous mid 80’s showcase in Brooklyn at L’Amour’s is a moment I’m sure the band would love to have forgotten but it’s all part of the past that leads us to the present and ultimately the future.

Which brings up a very valid set of questions. The words Anvil and future used to be a sort of Metal oxymoron, I mean pre DVD anyone with a set of ears really didn’t sit around wondering what Anvil’s next move was going to be, not since 1984/85 that is. However the landscape for them has changed drastically, they’re the stars of a hit documentary, they’re all over television, they’ve got this killer book and a fresh round of tour dates for ‘The Anvil Experience’ is set to launch in January 2010.

Without a doubt the eyes and ears of the greater Heavy Metal World are once again upon them, so the question is what do they do with them now?

Wednesday, November 11, 2009

Heavy Metal & Hollywood Hell, on canvas.

So if you read any of the major metal news sites, you'll have read about New York artist Tom Sanford and his soon to be auctioned controversial paintings. The one causing the biggest uproar is Sanford's depiction of the 2004 on-stage slaying of Dimebag Darrell Abbott.

So when I first saw it, yeah I was a little shocked. I'd be even more shocked or upset if he had, say a painting of the Lynyrd Skynyrd plane crash or something but I suppose the relation you have with the subject dictates your feelings.

Regardless, when I saw this Dime painting I thought of a photo I took at a House Of Blues a few years ago. Now this one I was just like "what the fuck?"

However the commotion the Dime painting is causing is also a "WTF."

I think the metal generation has been desensitized to death, no? I understand it's a brutal artist's rendition but it's no gorier than any Cannibal Corpse cover and those we don't even look at twice. It's just accepted.

Accept this too. You don't have to buy it, you don't have to look at it. If you went to the guy's site there's a lot of twisted shit and this is one of many. Slayer and Rob Zombie do the same shit and are celebrated.

This OJ pic is pretty fucked up though, ain't it?

Friday, November 6, 2009

Book Review: Dawn of the Metal Gods by Al Atkins and Neil Daniels

Let me start by saying I, obviously have much respect for the forefathers of Hard Rock/Heavy Metal. Their blood, sweat and tears creating what we know as Metal has given me a lifetime of enjoyment as well as a purpose here on Earth. Without it I do not know who or what I would be.

I also have a boatload of respect for those who perhaps were a part of the formation of the art but never got the credit or respect they so rightly deserved. The world is full of talented individuals that either were at the right place at the wrong time or vice versa. More often than not they either end up forgotten or worse a bit of an asterisk in the annals of music history.

An artist chasing success can be a lifelong uphill battle with many battlefields and many scars. Some soldiers never give up, we've all seen what perseverance did for Anvil, but this isn't Hollywood, this tale begins in Birmingham, England (the birthplace of Heavy Metal) and this is the other side of that reality.

Dawn of the Metal Gods’ is the autobiography of original Judas Priest vocalist Al Atkins which almost primarily focuses on these sentiments. If you’re scratching your head asking “who?” you’re not alone. Al’s greatest claim to fame is helping form and name Judas Priest back in 1969 and has writing credits on several JP songs including the classic “Victim of Changes.” Writer Neil Daniels does his best to champion Atkins' contributions to the band as well as his career after Priest.

However for every Rob Halford, the "replacement" who goes on to change the World there is an Al Atkins, the one "left behind". The guy who was there first.

That being said, I will ask the million dollar question…who the hell has lost sleep wondering about Al Atkins all these years? I mean have you laid in your bed at night wondering what Rob Halford’s predecessor has done musically since leaving the band in 1974 before their debut was even released? Because as a student and self professed geek of all things Metal I haven’t. So if I or other dorks like me haven’t, well who has?

Yes, that may be a bit harsh, but at the end of this 220+ page book I didn’t feel like a weight had been lifted or any piece of an essential Heavy Metal puzzle had been solved. But that aside there’s a few things worthwhile about this book, but you have to be prepared to practice some patience. The upbringing and childhood and formative years of one Al Atkins isn’t exactly what I’d call engrossing/page turning stuff.

You do get an inside scoop on the birth of Judas Priest and the scene in which they came up in. A much, much different collection of bands, fans and early stages of the business of music than what you’d find today and admittedly it’s rather interesting stuff. Reading about current JP members Ken (KK) Downing and Ian Hill and how they came to joining the group is cool but after Al leaves JP the book, like his career suffers greatly.

You’ll read about the bands that Atkins formed and the pros and cons of being done before he really started and probably the most interesting things in the book are his thoughts on Judas Priest’s moves from album to album, tour to tour and everything in between. Some of his views are rather harsh and petty but it’s something I’m sure a) doesn’t bother anyone in the band and b) are written from the point self admitted jealously.

I mean if you think that’s wrong, ask Dave Evans what he thinks of AC/DC, ask Pete Willis what he thinks of Def Leppard, ask Pete Best what he thinks of the Beatles and so on and so forth. There’s no way on Earth any of these guys, Atkins included, could have been "thankful" they weren’t going through the hassle of selling out Madison Square Garden or having to suffer through ‘another sold-out world tour.’

This book is only of interest to the hardest of die hard Judas Priest fans interested in the embryo stages of the future legends. Atkins as a main character subject doesn't carry the story strong enough to hold the readers utmost attention. For instance a lot of talks about bands that, for lack of better words never even went anywhere and songs 99.9% of the population has never heard!

Despite being very well written with some beyond great photos throughout, it's still a story, IMO of a guy whose demons of "what might have been" are still haunting him 35 years later.

Tuesday, November 3, 2009

Old Metal Mag Moment-Spastik Children

Not too sure if Spastik Children got any heavy coverage outside of the Bay Area and Ron Quintana’s Metal Mania, but here’s a rare interview from 1986 from the New York and not related to Ron's influential mag, Metal Mania.

For those who know, you obviously know, but for those that don’t…Spastik was a punk band that existed in many incarnations from the mid 80’s until around 1990 (maybe?), members of Exodus, Heathen and the lesser known Pillage Sunday made up the group’s initial line up.

In early 1986 the group gained “instant celebrity” status when James Hetfield and Cliff Burton were recruited to play drums and bass.

Check out the interview as it will explain a lot more than some boring intro of a band that, well I suppose it’d be a hell of a lot different to have seen em live, but for the most part was an admitted “joke”.

As the interview states the band carried on after the loss of Cliff Burton with Kirk Hammett and then later Jim Martin as well as Jason Newsted taking over on bass. Could you imagine the 100,000,000 album selling Metallica of now of ever being as care free as they were back then? Time is a motherfucker, so take a step back and enjoy!

(Click to enlarge)